Archive for May 26, 2012

SKA Site Duel ends in Dual Site for SKA

Posted in Science Politics, The Universe and Stuff with tags , , , , , on May 26, 2012 by telescoper

I wasn’t going to post about this but then I realised nobody seemed to have used the obvious headline so thought I might as well knock out a quickie.

Yesterday, after much to-ing and fro-ing an announcement was finally made  concerning the site of the Square Kilometre Array.  The two contenders for the honour of hosting this superb project were South Africa and Australasia (both Australia and New Zealand get a bit, actually).

So who won?

Well, formally the decision was to split the project between both. At first sight this looks like a political compromise, but wiser heads than me disagree and say that this an excellent outcome on science grounds. I’d be interested to hear  opinions on that, in fact.

In any case, a quick skim through the STFC announcement makes it clear that South Africa actually gets the lion’s share of the actual dishes, which will be operated alongside the  Meerkat facility, and will do what I think is the more exciting science.  Having been to Cape Town just recently I know how much the SKA project means for astronomy in South Africa so I’m delighted for them that the outcome is so positive.

It does, however, remain to be seen what the implications of this decision are for the overall cost and scientific value-for-money, but for the time being the thing I’m most pleased about is that a decision has been reached.  I think the SKA project is by far the most exciting ground-based astronomy project around, and it will be very exciting to watch it grow.

Mike Taylor versus Graham Taylor…

Posted in Open Access on May 26, 2012 by telescoper

telescoper:

Here’s the official complete and unabridged version of Mike Taylor’s excellent point-by-point rebuttal of the Guardian article I posted about yesterday. Read it!

Originally posted on Sauropod Vertebra Picture of the Week:

Today’s Guardian has a piece by Graham Taylor, director of academic, educational and professional publishing at the Publishers Association, entitled Attacking publishers will not make open access any more sustainable.

It’s such a crock that I felt compelled to respond point-by-point in the comments.  I did, but because my response was too long for the Guardian‘s comment field, I had to break it into three parts [part 1, part 2, part 3].

Here is the whole thing — Together At Last!

As we discuss the access crisis and Academic Spring, it’s great that the Guardian is allowing a platform to representatives of the academic publishing industry. It gives them a chance to demonstrate how utterly bankrupt their position is, and it’s kind of Graham Taylor to oblige. His article is a catalogue of distortions and mispresentations from start to finish.

I don’t…

View original 1,541 more words

Shostakovich and Debussy

Posted in Music with tags , , , , , , , on May 26, 2012 by telescoper

With Cardiff likely to be in the grip of Olympic Torch fever I decided yesterday to avoid the crowds as much as possible and take in a  bit of culture in the form of a concert at St David’s Hall. My usual route into work being blocked by the closure of Bute Park to the public I walked into the city centre, paid in a few very welcome royalty cheques at the bank, and went to St David’s in person to book a ticket. I had no problem getting a good seat, but the staff issued dire warnings about getting here in good time for the 7.30 start as the Olympic Torch would be passing right in front of the venue just before the concert.

Despite the crowds I reckoned I had time for a quick pint (or two) in the Poet’s Corner before kick-off. Walking there from my office I saw a few people on Newport Road waiting for the Torch and its entourage, but not all that many. While I drank and chatted with a couple of PC regulars, the noise of a helicopter circling announced the arrival of the flame in our vicinity. I was almost tempted to pop outside for a look, but although the Olympic Torch was outside, the beer was inside and a man must have priorities in life.

So about 6.45 I headed off towards St David’s Hall. There were people out and about, but no more than you’d expect on a sunny Friday evening. Traffic had already re-started and disruption seemed fairly minimal. I don’t know where the Torch had got to by then but I arrived at the Hall at 7.00 to find a crowd watching it on the Big Screen in the Hayes. I went straight in and had a nice glass of wine.

When I got into the auditorium for the evening’s concert I was a bit taken aback, not only by the huge size of the orchestra (particularly the brass section) but also by its unusual arrangement: the strings were divided in two, arranged more-or-less symmetrically with cellos and basses to far left and far right. I was also initially perturbed that my favourite handsome violinist was not in his usual place, but I soon located him and all was well with the world.

The concert, featuring the BBC National Orchestra of Wales conducted by associate guest conductor Francois-Xavier Roth, was broadcast live last night on BBC Radio 3, incidentally, and you can listen to a recording here.

The unusual orchestral arrangement was needed for the first piece of the concert, called Sound and Fury, by contemporary French composer Philippe Manoury. This is a work that’s full of contrasting moods, set against an overall concept relating to the battle between order and chaos. Passages in which stable melodic lines can be identified evolve into savage cacophony and back again; there are also sequences where the two halves of the orchestra act as two independent forces, challenging and responding to each other across the stage. Not exactly easy listening, but fascinating nonetheless.

After the interval we had the two “main pieces” of the evening, played by a more conventional orchestral line-up. First was the First Violin Concerto by Dmitry Shostakovich with soloist Daniel Hope (dressed, I have to say, in a horrible shiny suit). The open movement, entitled Nocturne, is striking for its lightness, and the apparent simplicity of its singing solo lines. The second movement Scherzo, darker and more intense, is followed by a wonderful slow movement marked Passacaglia, the end of which is marked by a fiendishly difficult solo cadenza that bridges into the final Burlesque. Daniel Hope played it with great verve and confidence, but in the context of the overall work I found it a bit gratuitous. Still an impressive piece, though, with many of the hallmarks of Shostakovich’s great symphonies.

The last piece was Images pour Orchestra by Claude Debussy. While the preceding Shostakovich work is perhaps a symphony masquerading as a suite, Images is definitely not a symphony. It’s a series of impressionistic and enigmatic vignettes of very differing mood. It’s in three movements, but the central one is itself divided into three distinct parts, so it is really five movements. The opening one includes, to my surprise, the Northumbrian tune The Keel Row and there are references to Spanish and French folk songs later on.  The whole impression you get listening to this work is similar to walking through an art gallery looking at paintings that relate to each other in some ways, but contrast in others, or perhaps reading an anthology of poems by different poets.

Three different works from the 20th century, each with a very characteristic voice of its own and each with much to enjoy made for an absorbing concert. St David’s Hall was rather sparsely populated – the Cardiff audience is notoriously conservative in its musical tastes, and the Olympic Torch business wouldn’t have helped –  but those that had made the effort were extremely appreciative at the end.

Having got my musical fix for the week I headed home. It must have only been about 9.45, but the concert in Bute Park seemed to have ended already. The city was busy, but not unusually so. The barricades had gone, and the buses were running again. I walked home through Sophia Gardens in the deepening twilight and saw a bat flying nimbly in silhouette against the crescent moon. Whatever happens in the future, that Image will be a treasured memory of Cardiff.

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