That’s a Plenty

By way of a little Thanksgiving gift to my friends and colleagues over in the US of Stateside, and also to warm the cockles of everyone shuddering here in the cold snap that’s fallen over Blighty, here’s a rare taste of hot jazz from a very young Benny Goodman.

This track was recorded in 1928, long before the start of the Swing Era of which Benny Goodman’s Orchestra was in the vanguard, leading Mr BG to be called “The King of Swing”. His clarinet sound is a bit rougher around the edges than he achieved in the slick performances of his later years, but then he was only 19 at the time and he certainly plays with a huge amount of drive.

This was recorded with a trio of himself on clarinet, a piano (Mel Stitzel) and a drummer (Bob Conselman). After he formed his big band in the thirties he continued to make records with a band of the same format, but featuring Teddy Wilson on piano and Gene Krupa on drums. I never quite worked out why he preferred not to have a bass player in the small group recordings (although he often included Lionel Hampton on vibes), but this older track at least demonstrates that he was consistent in that respect!

And another thing. I’m not an expert, but to my ears there’s more than a hint of the sound of  Klezmer music in this recording. Waddayathink?

2 Responses to “That’s a Plenty”

  1. telescoper Says:

    The Curse of the Copyright seems to have struck, so please click to hear it on Youtube if you want to listen. All seems a bit silly.

  2. […] as a Jazz fan, I’ve often wondered about the influence that Klezmer might have had on the musical development of clarinettists like Benny […]

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