Archive for December 12, 2010


Posted in Biographical, Music with tags , , , on December 12, 2010 by telescoper

Just back from St David’s Hall, Cardiff, where I’ve been listening to a performance of Handel‘s great oratorio Messiah by the Orchestra, Soloists and Chorus of Welsh National Opera under the baton of Conductor Lothar Koenigs. I haven’t got time to write much (as I’m famished), but I enjoyed the concert so much I wanted to write something before the buzz disappeared.

I don’t mind admitting that Messiah is a piece that’s redolent with nostalgia for me – some of the texts remind me a lot of Sunday School and singing in a church choir when I was little and then, a bit later, listening to the whole thing at Christmas time at the City Hall in Newcastle. I loved it then, and still do now, almost 40 years later. I know it’s possible to take nostalgia too far – nobody can afford to spend too much time living in the past – but I think it’s good to stay in contact with your memories and the things that shaped you when you were young. I haven’t seen Messiah live for a very long time, and tonight was like meeting an old friend after a long absence, and discovering that he’s just like you remembered him all those years ago.

Setting aside the wistful reminiscences it brought to mind, tonight’s performance was in any case exceptional. The Orchestra of WNO was on top form, and Lothar Koenigs directed them with great skill and vision. The tempo might have been a bit brisk in places for some tastes – or so I was told in the bar at the interval – but I thought the pace was excellent. Soprano Laura Mitchell and tenor Robin Tritschler both sang with crystal clarity, and bass baritone Darren Jeffrey was in fine voice too. Mezzo Patricia Bardon seemed to struggle a little bit to assert herself; her chest tones have a slightly woolly sound which at times got lost in the undergrowth of the orchestra’s string section, but that was only a problem in a few places.

The centerpiece of the performance, however, was a magnificent display by the WNO chorus. They were kept under a pretty tight rein for most of the time by Chorus Master Stephen Harris, who had them holding back enough in reserve that when they unleashed the full fortissimo the dramatic effect was truly thrilling. Little surprise that they got such warm applause at the end; I thought they were magnificent.

The one thing I wasn’t sure about before the concert started was whether and to what extent the folk at St David’s Hall would observe the tradition of standing during the Hallelujah Chorus. I’ve never been sure how widespread this practice was; it was definitely accepted (and indeed expected) way back when in the City Hall, Newcastle, but I fear many in the rest of the UK think of us Geordies as uncivilised rabble and for all I knew the posher parts of England might have abandoned this quaint practice decades ago.

Cardiff is actually a bit like Newcastle in some ways, but the tradition of music making is much stronger here in Wales. On the other hand -as one of my former colleagues from London days warned me when he heard I’d decided to move here – Cardiff is also a bit old-fashioned. I know what he meant, and I think he was right, but I don’t think it’s at all the worse for being so.

Anyway, I was delighted that, when the time came for the Hallelujah Chorus, the entire audience rose as one to its feet to hear a stunning rendition of this most majestic piece of music. It was King George II’s decision to stand in acknowledgement of Handel’s genius that initiated this ritual, and there’s a very special feeling knowing that you’re celebrating something that’s been celebrated the same way for over 250 years and is still something that’s completely exhilirating to listen to.



Posted in Poetry, The Universe and Stuff with tags , , on December 12, 2010 by telescoper


They enter as animals from the outer
Space of holly where spikes
Are not thoughts I turn on, like a Yogi,
But greenness, darkness so pure
They freeze and are.

O God, I am not like you
In your vacuous black,
Stars stuck all over, bright stupid confetti.
Eternity bores me,
I never wanted it.

What I love is
The piston in motion —-
My soul dies before it.
And the hooves of the horses,
Their merciless churn.

And you, great Stasis —-
What is so great in that!
Is it a tiger this year, this roar at the door?
It is a Christus,
The awful

God-bit in him
Dying to fly and be done with it?
The blood berries are themselves, they are very still.

The hooves will not have it,
In blue distance the pistons hiss.

by Sylvia Plath (1932-63).