Well, it’s 1pm and my third-year students are just sitting down for two hours of fun with their Nuclear and Particle Physics examination. For my part I’m obliged to sit by the phone for the next two hours in case there’s a problem with the examination paper. Ideal excuse for a quick blog post while I eat my sandwich.

I also notice from my trusty wordpress dashboard that this is my 1000th post since I started blogging, way back in late 2008.  Time to indulge myself, then. I haven’t posted much jazz recently so I thought I’d share this classic recording with you. It’s from my favourite era of jazz – the late 1950s – and my favourite kind of jazz, bebop, which by then had matured, ripened and hardened considerably since its birth in the 1940s.

This gives me the excuse to mention a nice article in Saturday’s Grauniad about the poet Philip Larkin, his love for “trad” and his hatred for the “modern” jazz exemplified by bebop. It’s entirely a matter of personal taste, of course, but speaking for myself I can say that I’ve never had any problem loving jazz of all ages. For me, though, it reached a peak in the late 50s with musicians of the calibre of Miles Davis, John Coltrane, and Ornette Coleman.

This particular track features alto-saxophonist Lou Donaldson whom many jazz critics regarded as a pale imitation of the pioneering be-bop icon Charlie Parker but whose playing I’ve always admired. In my book, anyone brave enough to follow Charlie Parker deserves the highest esteem. In any case when Lou Donaldson walked into the Van Gelder studio in Hackensack, New Jersey on July 28th 2008 he clearly had fire in his belly.

The tune is entitled Move and it was written by drummer Denzil Best. It’s quite unusual for a drummer also to be a composer, but Best wrote a number of classic jazz tunes. I even managed to find the chords that make up this one’s 32 bar AABA structure…

Many bebop compositions are based on the chord progressions of standard tunes, such as How High the Moon or I Got Rhythm, but with the melody replaced by something much more intricate than the original tune. I don’t recognize the chords above from anywhere else so it may be an entirely original composition by Denzil Best. I’m sure there’s a jazz buff out there who will correct me if I’m wrong. In any case the jagged melody is archetypal bebop stuff – complex and angular, very difficult to play but intensely exciting to listen to.


4 Responses to “Move”

  1. telescoper Says:

    As a postscript to this I’ll just say that I always get a pang of nostalgia whenever I post this sort of music.

    I lived in London from 1990 until 1998 and I think the only thing I really miss living elsewhere (first Nottingham, then Cardiff) are all those late nights at Ronnie Scotts!

  2. Anton Garrett Says:

    Saying that it’s entirely a matter of personal taste prevents you from considering such interesting questions as why people prefer one to another, etc. I think it is partly an individual matter and partly something cultural – which *can* be analysed. The point is to remain courteous where you disagree with the preferences of others.

    • telescoper Says:

      Yes, what I really meant is that there’s no “right” or “wrong” answer to questions of taste like this. As to why I like my jazz vintage 1958 I really don’t know! However, this one is getting an unusually large number of hits by the normal stands of my jazz posts so perhaps there’s a few people out there who like it too!

  3. telescoper Says:

    I’m reliably informed that this composition is indeed based on rhythm changes. The A section chords are a pretty standard variation on those of I Got Rhythm, apparently, something I should have spotted. The B section (“bridge”) is different, but is also quite a well known substitute for the middle-eight of the original. Well known, at least to those who know! Thanks to everyone around the internet who commented elsewhere on this!

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