Archive for November 30, 2016

Yancey Special

Posted in Jazz with tags , , , on November 30, 2016 by telescoper

Time for a bit of Boogie Woogie. This is by the great Jimmy Yancey who, despite having a strong claim to be regarded as the founding father of this style of piano playing, is nowhere near as well known as he should be. In fact he only began to make recordings relatively late in life and never earned enough money to give up his day job, which was as a groundsman for the Chicago White Sox baseball team. He was nevertheless a huge influence on people like Meade Lux Lewis and Albert Ammons who made a great commercial success out of this  genre.

You may or may not know that Boogie Woogie encompasses quite a wide `library’ of left-hand bass patterns, many of which have their own names: the Rocks, the Trenches and the Fives to name but three. I’ve always felt that there was an interesting paper (or perhaps PhD thesis) to be written about the various permutations of notes involved in these figures, which mainly (but not exclusively)  involve the root, third, fifth and sixth notes of the relevant chord, which are usually themselves part of a standard 12-bar blues progression. Usually the little finger of the left hand picks out the root note and since the pattern played by the other fingers doesn’t change as the chords change remembering where your pinkie has to go more-or-less guarantees that the rest of the pattern ends up in the right place.

The simplest of all these Boogie Woogie figures to play is the Barrelhouse left-hand style that just involves a pair of two-note chords (root-fifth and root-sixth). Double up each of those chords and you get the left hand for Meade Lux Lewis’s classic Honky Tonk Train Blues, and so on. I mention that because if you follow the Youtube link you’ll see a photograph of Jimmy Yancey watching Meade Lux Lewis play.

Anyway, though most Boogie-Woogie left-hand bass figures have rather abstract names such as those listed above, this one – which you’ll recognize from a number of other tunes, such as Fats Domino’s Blueberry Hill –  is always called the Yancey Special left hand as a tribute to its inventor. Apart from that lovely rolling bass line, what else is great about this track is the way Jimmy Yancey generates such a sense of forward momentum at a relatively slow tempo, e.g. by using the very effective technique (called a “pick-up”) of starting a right-hand phrase just before the bar line indicate by the left hand.

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Attempted Assassination of the Queen – by William McGonagall

Posted in Poetry with tags , , on November 30, 2016 by telescoper

God prosper long our noble Queen,
And long may she reign!
Maclean he tried to shoot her,
But it was all in vain.

For God He turned the ball aside
Maclean aimed at her head;
And he felt very angry
Because he didn’t shoot her dead.

There’s a divinity that hedges a king,
And so it does seem,
And my opinion is, it has hedged
Our most gracious Queen.

Maclean must be a madman,
Which is obvious to be seen,
Or else he wouldn’t have tried to shoot
Our most beloved Queen.

Victoria is a good Queen,
Which all her subjects know,
And for that God has protected her
From all her deadly foes.

She is noble and generous,
Her subjects must confess;
There hasn’t been her equal
Since the days of good Queen Bess.

Long may she be spared to roam
Among the bonnie Highland floral,
And spend many a happy day
In the palace of Balmoral.

Because she is very kind
To the old women there,
And allows them bread, tea, and sugar,
And each one get a share.

And when they know of her coming,
Their hearts feel overjoy’d,
Because, in general, she finds work
For men that’s unemploy’d.

And she also gives the gipsies money
While at Balmoral, I’ve been told,
And, mind ye, seldom silver,
But very often gold.

I hope God will protect her
By night and by day,
At home and abroad,
When she’s far away.

May He be as a hedge around her,
As he’s been all along,
And let her live and die in peace
Is the end of my song.

by William Topaz McGonagall (1825-1902)