Llŷr Williams plays more Beethoven

Still determined to enjoy civilisation as much as I can while we still have it, last night I went to a splendid concert at the Royal Welsh College of Music and Drama in Cardiff featuring acclaimed Welsh pianist Llŷr Williams in the eighth (and penultimate) concert in a three-year series in which he is playing all the solo piano compositions of Ludwig van Beethoven.

The first half of last night’s recital comprised two very contrasting works united by the fact that both were dedicated to pupils of Beethoven. The first, the “Grande Sonata” No. 4 in E-flat major (Opus 7) dedicated to Anna Louise Barbara Keglevich (also known as Babette). This is an early work, in four movements in a relatively conventional classical style, and you can hear the influence of both Haydn and Mozart in it.

The second piece, much later and more famous, was the Opus 78 “a Therese“, dedicated to the Countess von Brunswick. This is a radically different piece, in just two movements, with a very brief slow introduction of just a few bars after which it is all at a sprightly tempo. It’s quite a odd work, really, and probably quite hard to play with flurries of notes coming thick and fast.

 

 

After the interval we heard two more sonatas, the connection between them being that both have nicknames: Sonata No. 15 (Opus 28) “Pastoral” and Sonata No. 26 (Opus 81a) “Les Adieux”. The nicknames given to some of these works are usually not by the composer and are sometimes rather misleading. The name “Pastoral” was attached by a music publisher not by Beethoven himself, but it does describe the mood of at least some of this piece, which does evoke the countryside. It’s a lovely work, actually, one of my favourites from the entire repertoire.

‘Les Adieux’ is a work in three movements describing respectively the farewell, absence and return of the Archduke Rudolf as he was forced to leave Vienna when it was attacked by Napoleon’s army in 1809.  The second movement’s moving expression of loss and loneliness, is followed by a jubilant finale marking Rudolf’s return.

That was the end of the advertised programme, but not quite the end of the concert because after very warm applause, Llŷr Williams returned to play a rather substantial encore – the 32 Variations in C Minor (also by Beethoven). It’s not quite as substantial as it seems, though, as each variation is only 10-15 seconds long.

Anyway, this was another  hugely enjoyable evening of piano music. I’m just sorry I came to the series rather late and there’s now only one left (in May 2017). Still, he happened to mention that the entire set is being released as an 11 CD Box set later this year…

 

 

 

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2 Responses to “Llŷr Williams plays more Beethoven”

  1. That sounds like an excellent concert. It reminds me I should look out for what’s going on at the Wigmore Hall more.

  2. As and when you’re in London, check out the Southbank Sinfonia’s “rush hour” (6-7 pm) concerts at St John’s Waterloo. Unsurpassable value!

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