Archive for November 7, 2019

A Musical Memory: Mabel’s Dream

Posted in Biographical, Jazz with tags , , , , , on November 7, 2019 by telescoper

So that’s that. The funeral is over. We all said our goodbyes, and there many tears.

My Mam chose the music for her funeral a long time ago, and the piece that was playing as we arrived in the West Chapel of the West Road Crematorium was one that I wrote about about a decade ago, so I thought I’d indulge myself by posting here the version we heard today.

Years ago my Mam told me that she heard the tune Mabel’s Dream played on the piano by a friend of the family by the name of Johnny Handle. Best known as a folk musician (and founder member of a well-known band called The High Level Ranters) he is also a music teacher and musicologist with a wide range of interests in music. I read somewhere that this lovely tune was originally written by Jelly Roll Morton and performed by him on solo piano, but by far the most famous recording of Mabel’s Dream was made by King Oliver and his Creole Jazz Band in Chicago in 1923. This was the band that the young Louis Armstrong belonged to before going on to make the classic Hot Fives and Hot Sevens, one of which I posted a bit ago. It’s interesting how different the earlier band sounds: with two cornets (King Oliver and Louis Armstrong), clarinet (Johnny Dodds), and trombone (Honore Dutrey) playing together virtually all the time except for short improvised solo breaks. King Oliver usually played lead cornet, at least in their earlier recordings, with Louis Armstrong playing a decorative counterpoint around him rather like a clarinettist might. Later on, they swapped leads freely and completely intuitively producing a sound that was entirely unique.

The ensemble playing is intricate, but the band had no written music, preferring to work exclusively from “head” arrangements. Their music is consistently delightful to listen to, with a succession of marchy themes that makes it impossible not to want to tap your feet when you listen to them.

Over time, this classic type of polyphonic Jazz- derived from its New Orleans roots – gradually morphed into musical form dominated by much simpler arrangements and a succession of virtuoso solos. This change was also reflected in the differing fortunes of Louis Armstrong and King Oliver. The former went on to become an international celebrity, while the latter lost all his savings when his bank went bust during the Wall Street Crash.

Considering the relatively brief time that they played together, King Oliver and Louis Armstrong made an astonishingly large number of astonishingly beautiful records, including this one which I’m posting here to show that as well as many other things my Mam had great taste in Jazz.