Notes on Eurovision

To nobody’s surprise Ukraine won last night’s Eurovision song contest after collecting a huge dollop of the televotes. After the jury votes, the United Kingdom’s entry was in the lead which surprised me because I thought it wasn’t much of a song at all. I’ve never been very good at picking the tunes that do well though. I didn’t like Ukraine’s entry – Stefania by the Kalush Orchestra – much either, but obviously there are special circumstances this year and I’m not at all sorry that they won.

In fact I thought the best song – and the best singer – by a long way was the Lithuanian entry sung by Monika Liu, who held the stage brilliantly by standing there and singing, without any fancy staging. She finished a disappointing 14th.

Monika Liu

Other entries I enjoyed were: Spain, catchy dance number with excellent choreography that finished 3rd; Moldova, an energetic performance full of humour (7th); and Norway, whose entry Give that Wolf a Banana was enjoyably deranged (10th). The less said about the other entries the better. I’m still as baffled by how Sam Ryder’s entry for the UK, Space Man, did so well in the jury votes as I am that Lithuania did so badly there, but there you go. What do I know?

I’ll state without comment that the Ukrainian jury gave a maximum douze points to the United Kingdom, but in return the UK jury gave Ukraine nil points

Anyway, three things struck me as I sipped my wine and watched the show:

  1. Ironically the Opera on the radio last night was Wagner’s Die Meistersinger von Nürnberg which is about a sixteenth century song contest that resembles the Eurovision versiononly in the length of time it goes on for. Perhaps someone should write a modern music drama called Die Meistersinger von Eurovision?
  2. I think the Research Excellence Framework would be much more fun if it were done like the Eurovision Song Contest. Each University regardless of size could be given the same distribution of scores to allocate to the others (but not itself). I can see interesting patterns emerging during that!
  3. When I was formally presented with my DPhil in the summer of 1989, the graduation ceremony took place on the same stage (at the Brighton Centre) on which Abba won the Eurovision Song Contest in 1974 with their song Waterloo.

One Response to “Notes on Eurovision”

  1. Anton Garrett Says:

    Meistersinger is the one that has (so far) got away for me: it is the only opera I’ve never seen for which I would pay full prie at Covent Garden.

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