The Strand at Lough Beg – Seamus Heaney

Last night I watched a harrowing but compelling film called Unquiet Graves which is about the activities of the Glenanne gang, a loyalist paramilitary group which carried out in excess of 120 murders during the 1970s including the horrific bombings in Dublin and Monaghan in 1974. Many members of this gang were serving members of the Royal Ulster Constabulary and the Ulster Defence Regiment which ensured that these heinous crimes were never properly investigated and in many cases the families of the victims are still waiting for justice.

The film makes very difficult viewing but is a timely reminder of a terrible period in Irish history and gives reason to reflect on the importance of the Belfast Agreement that brought peace to a part of the world that so recently stood on the brink of civil war.

One of the victims of the Glenanne gang was a young man called Colum McCartney, a cousin of the poet Seamus Heaney. Colum’s car was stopped not far from Armagh by men in army uniforms. He was made to get out and kneel, and then he was shot in the back of the head. His companion, who tried to run away, was shot in the back as he fled. Seamus Heaney composed this poignant elegy to his murdered relative.

In Memory of Colum McCartney

All round this little island, on the strand
Far down below there, where the breakers strive
Grow the tall rushes from the oozy sand.
–Dante, Purgatorio, I, 100-3

Leaving the white glow of filling stations
And a few lonely streetlamps among fields
You climbed the hills toward Newtownhamilton
Past the Fews Forest, out beneath the stars–
Along the road, a high, bare pilgrim’s track
Where Sweeney fled before the bloodied heads,
Goat-beards and dogs’ eyes in a demon pack
Blazing out of the ground, snapping and squealing.
What blazed ahead of you? A faked road block?
The red lamp swung, the sudden brakes and stalling
Engine, voices, heads hooded and the cold-nosed gun?
Or in your driving mirror, tailing headlights
That pulled out suddenly and flagged you down
Where you weren’t known and far from what you knew:
The lowland clays and waters of Lough Beg,
Church Island’s spire, its soft treeline of yew.

There you used hear guns fired behind the house
Long before rising time, when duck shooters
Haunted the marigolds and bulrushes,
But still were scared to find spent cartridges,
Acrid, brassy, genital, ejected,
On your way across the strand to fetch the cows.
For you and yours and yours and mine fought the shy,
Spoke an old language of conspirators
And could not crack the whip or seize the day:
Big-voiced scullions, herders, feelers round
Haycocks and hindquarters, talkers in byres,
Slow arbitrators of the burial ground.

Across that strand of ours the cattle graze
Up to their bellies in an early mist
And now they turn their unbewildered gaze
To where we work our way through squeaking sedge
Drowning in dew. Like a dull blade with its edge
Honed bright, Lough Beg half shines under the haze.
I turn because the sweeping of your feet
Has stopped behind me, to find you on your knees
With blood and roadside muck in your hair and eyes,
Then kneel in front of you in brimming grass
And gather up cold handfuls of the dew
To wash you, cousin. I dab you clean with moss
Fine as the drizzle out of a low cloud.
I lift you under the arms and lay you flat.
With rushes that shoot green again, I plait
Green scapulars to wear over your shroud.

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The Ghost Room in Maynooth

I stumbled across this rather macabre post about Maynooth University and thought I’d share it….don’t have nightmares!

That reminds me of this poem by Emily Dickinson:

One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.

Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.

Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one’s own self encounter
In lonesome place.

Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror’s least.

The prudent carries a revolver,
He bolts the door,
O’erlooking a superior spectre
More near.

Come Here To Me!

Path leading down to the College Graveyard at Saint Patrick’s College. (Carax)

Just on the outskirts of Dublin lies the historic university town of Maynooth. It is the home of Ireland’s main Roman Catholic seminary, St Patrick’s College, which has been churning out priests since 1795.

One particular room in the college has been associated with demonic apparitions, suicide and paranormal activity for over 150 years.

In the mid 19th century in Room Two of Rhetoric House, two young seminarists took their own lives, nineteen years apart, and the room has been the source of many tales ever since.

Rhetoric House in the South Campus, built in 1834, was formerly a residential house for trainee priests. It now hosts the Department of History.

Rhetoric House, Maynooth (http://bogwarrior.com)

On 1 March 1841, a young student from Limerick by the name of Sean O’Grady (b. 1820) jumped out of room and fell…

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Further in Summer than the Birds – Emily Dickinson

Further in Summer than the Birds –
Pathetic from the Grass –
A minor Nation celebrates
It’s unobtrusive Mass.

No Ordinance be seen –
So gradual the Grace
A gentle Custom it becomes –
Enlarging Loneliness –

Antiquest felt at Noon –
When August burning low
Arise this spectral Canticle
Repose to typify –

Remit as yet no Grace –
No furrow on the Glow,
But a Druidic Difference
Enhances Nature now –

by Emily Dickinson (1830-1886)

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The Mystery of Meaning

Contrary to the expectation I expressed yesterday when posting an obscure article about the chord changes in Duke Jordan’s Jordu, I got the following alert from WordPress:

Usually I get a bit nervous when there’s a spike in my stats. I tend to imagine I’ve posted something controversial and the people checking it out are all lawyers. As it turns out the destination of most of the traffic was not the piece I had just posted but an old post about a poem, Meaning by Czeslaw Milosz. Here is the poem:

When I die, I will see the lining of the world.
The other side, beyond bird, mountain, sunset.
The true meaning, ready to be decoded.
What never added up will add Up,
What was incomprehensible will be comprehended.
– And if there is no lining to the world?
If a thrush on a branch is not a sign,
But just a thrush on the branch? If night and day
Make no sense following each other?
And on this earth there is nothing except this earth?
– Even if that is so, there will remain
A word wakened by lips that perish,
A tireless messenger who runs and runs
Through interstellar fields, through the revolving galaxies,
And calls out, protests, screams.

I have no idea why there was a sudden surge in interest yesterday – most of it from the USA – in this particular poem. I’d guess that it may have featured in a TV broadcast, as that sort of thing has in the past caused sudden increases in traffic to posts about music.

If anyone can solve the mystery of Meaning I’d be very grateful to hear through the comments box.

Update: Mystery solved. The poem was read by the Reverend James Lawson at the funeral of civil rights campaigner John Lewis. Many thanks to the commenter below for this information.

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Stars, by Emily Brontë

Ah! why, because the dazzling sun
Restored our Earth to joy,
Have you departed, every one,
And left a desert sky?

All through the night, your glorious eyes
Were gazing down in mine,
And, with a full heart’s thankful sighs,
I blessed that watch divine.

I was at peace, and drank your beams
As they were life to me;
And revelled in my changeful dreams,
Like petrel on the sea.

Thought followed thought, star followed star,
Through boundless regions, on;
While one sweet influence, near and far,
Thrilled through, and proved us one!

Why did the morning dawn to break
So great, so pure, a spell;
And scorch with fire the tranquil cheek,
Where your cool radiance fell?

Blood-red, he rose, and, arrow-straight,
His fierce beams struck my brow;
The soul of nature sprang, elate,
But mine sank sad and low!

My lids closed down, yet through their veil
I saw him, blazing, still,
And steep in gold the misty dale,
And flash upon the hill.

I turned me to the pillow, then,
To call back night, and see
Your worlds of solemn light, again,
Throb with my heart, and me!

It would not do—the pillow glowed,
And glowed both roof and floor;
And birds sang loudly in the wood,
And fresh winds shook the door;

The curtains waved, the wakened flies
Were murmuring round my room,
Imprisoned there, till I should rise,
And give them leave to roam.

Oh, stars, and dreams, and gentle night;
Oh, night and stars, return!
And hide me from the hostile light
That does not warm, but burn;

That drains the blood of suffering men;
Drinks tears, instead of dew;
Let me sleep through his blinding reign,
And only wake with you!

by Emily Brontë (1818-1848; she was born on 30th July)

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Poppies in July – Sylvia Plath

Little poppies, little hell flames,
Do you do no harm?

You flicker. I cannot touch you.
I put my hands among the flames. Nothing burns

And it exhausts me to watch you
Flickering like that, wrinkly and clear red, like the skin of a mouth.

A mouth just bloodied.
Little bloody skirts!

There are fumes I cannot touch.
Where are your opiates, your nauseous capsules?

If I could bleed, or sleep! –
If my mouth could marry a hurt like that!

Or your liquors seep to me, in this glass capsule,
Dulling and stilling.

But colorless. Colorless.

by Sylvia Plath (1932-1963)

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June Thunder, by Louis Macneice

The Junes were free and full, driving through tiny
Roads, the mudguards brushing the cowparsley,
Through fields of mustard and under boldly embattled
Mays and chestnuts

Or between beeches verdurous and voluptuous
Or where broom and gorse beflagged the chalkland–
All the flare and gusto of the unenduring
Joys of a season

Now returned but I note as more appropriate
To the maturer mood impending thunder
With an indigo sky and the garden hushed except for
The treetops moving.

Then the curtains in my room blow suddenly inward,
The shrubbery rustles, birds fly heavily homeward,
The white flowers fade to nothing on the trees and rain comes
Down like a dropscene.

Now there comes catharsis, the cleansing downpour
Breaking the blossoms of our overdated fancies
Our old sentimentality and whimsicality
Loves of the morning.

Blackness at half-past eight, the night’s precursor,
Clouds like falling masonry and lightning’s lavish
Annunciation, the sword of the mad archangel
Flashed from the scabbard.

If only you would come and dare the crystal
Rampart of the rain and the bottomless moat of thunder,
If only now you would come I should be happy
Now if now only.

by Louis Macneice (1907-1963)

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The Chameleon, by A.P. Herbert

A Chameleon, in Dublin Zoo.

The chameleon changes his colour;
He can look like a tree or a wall;
He is timid and shy and he hates to be seen,
So he simply sits down on the grass and grows green,
And pretends he is nothing at all.

I wish I could change my complexion
To purple or orange or red:
I wish I could look like the arm of a chair
So nobody ever would know I was there
When they wanted to put me to bed.

I wish I could be a chameleon
And look like a lily or rose;
I’d lie on the apples and peaches and pears,
But not on Aunt Margaret’s yellowy chairs—
I should have to be careful of those.

The chameleon’s life is confusing;
He is used to adventure and pain;
But if he ever sat on Aunt Maggie’s cretonne
And found what a curious color he’d gone,
I don’t think he’d do it again.

by A.P. Herbert (1890-1971)

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The Trees, by Philip Larkin

The trees are coming into leaf
Like something almost being said;
The recent buds relax and spread,
Their greenness is a kind of grief.

Is it that they are born again
And we grow old? No, they die too,
Their yearly trick of looking new
Is written down in rings of grain.

Yet still the unresting castles thresh
In fullgrown thickness every May.
Last year is dead, they seem to say,
Begin afresh, afresh, afresh.

by Philip Larkin (1922-1985)

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#PoetryDayIRL: ‘When You Are Old’, by William Butler Yeats

One more for Ireland’s National Poetry Day. I couldn’t resist posting one by William Butler Yeats (known to his friends as ‘WB’)

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

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