Archive for the Music Category

I’m Late, I’m Late…

Posted in Jazz with tags , , , , on January 12, 2021 by telescoper

It has been a long time since I last listened to the album Focus featuring Stan Getz on tenor saxophone so it was nice to be reminded of it when Bernard Clarke played the first track from that album on his show The Blue of the Night yesterday. I was listening when this track came up and I thought I’d share it here because I think it’s a cracker.

If you assume that a Stan Getz album from 1961 is going to be full of Samba and Bossa Nova tracks then you couldn’t be more wrong. This is an experimental album featuring Getz with a string orchestra. The suite of music for the album was originally commissioned by Getz from composer and arranger Eddie Sauter. Sauter’s orchestration did not include melodies for Getz. Instead he left spaces in the arrangements in which Getz would improvise.

The theme of the opening track, “I’m Late, I’m Late”, is nearly identical to the opening minutes of the second movement of Béla Bartók’s Music for Strings, Percussion and Celesta which Sauter intended the track as an homage. Not only the theme but also the broken rhythms and string orchestration definitely show the the influence of Bartók. One thing that struck me listening to this last night after not hearing it for a while is that it sounds very much like part of a movie soundtrack. Maybe it will be some day!

As an added bonus I’m Late, I’m Late also features the great  Roy Haynes on drums, but front and centre for most of the time it’s Stan Getz himself playing quite brilliantly.  In fact I’m told that Getz regarded this as his best album. Anyway, I think it’s great and I hope you enjoy it.


There’s a Moose Loose Aboot this Hoose!

Posted in Covid-19, Maynooth, Music with tags , on January 8, 2021 by telescoper

Artist’s Impression

I am working from home at the moment owing to Covid-19 restrictions on campus activity but I have been informed by on campus staff that an unauthorized mouse bas been seen in the Department of Theoretical Physics. This is a very serious situation as access to the Science Building is for essential work only and this does not include rodents, even if they have a PhD. Furthermore, the mouse is not wearing a face mask and, from what I have heard, is not observing proper sanitary procedures.

More importantly, our Covid-19 protocols require all visitors to the Department to be in receipt of a letter authorizing their presence. I have contacted Human Rodent Resources and no such letters have been issued.

I have therefore instructed all staff and students in the Department that if they see this mouse they should instruct it to leave and that any refusal to comply will be met with disciplinary action, initially taking the form of a formal written warning but escalating if necessary to a meeting with Maynooth University Library Cat.

There now follows a  message concerning these developments from Professor Brian Dolan.

I hope this clarifies the situation.

The Innocents’ Day

Posted in Music with tags , , , , on December 28, 2020 by telescoper

I am reliably informed that today, 28th December, is The Innocents’ Day, so the least I can do is post a track from the album. This is Chains of Love.

Do you remember?
Once upon a time
When there were open doors
An invitation to the world



O Helga Natt – Jussi Björling

Posted in Music with tags , on December 19, 2020 by telescoper

Although I’m now officially on holiday I’m struggling a bit to get into the festive spirit this year, but this should help. Here’s a Christmas song that even Ebenezer Scrooge himself would find hard to resist. On December  20th 1954 the great Swedish tenor Jussi Björling did a benefit recital in the Södersjukhuset, Stockholm’s largest hospital; the performance was also broadcast on the radio. Because wasn’t recorded in a proper studio the acoustic isn’t great, but I love the intimacy of the setting with just a piano accompaniment. Here is an excerpt from that concert, the old carol “O Holy Night” sung in Swedish.

Update: I stupidly put the wrong link in earlier, now fixed.

Swinging on the Säckpipa

Posted in Jazz with tags , , on November 27, 2020 by telescoper

And now for something completely different.

This is Swedish musician Gunhild Carling out front of a swinging big band on the open-air stage at Central Park, New York, tearing it up on the bagpipes*.

You’re welcome.



(*to  be precise these are a kind of traditional Swedish bagpipes known as the säckpipa).


A Prima Ballerina

Posted in Biographical, Music with tags , , on November 10, 2020 by telescoper

It’s just over a year since my Mam passed away after several years of struggle with dementia. It seems like a century since I flew back to Newcastle to attend her funeral, so much has happened in the world since then. I got through the sad anniversary reasonably well until this morning I came across this video, which had me in pieces. It’s of a lady by the name of Marta C Gonzalez, a former ballet dancer, who passed away last year; the film was made at her care home in Valencia. A care worker plays her music from Tchaikovsky’s ballet Swan Lake and briefly she is a prima ballerina once more; the film is intercut with footage of herself dancing on stage in New York in the 1960s. It’s unbearably moving, bringing together the awful tragedy of dementia with the power of music if not to heal but at least to provide some measure of respite. Even when almost all is gone, music seems to remain in the deepest part of our being alongside our most cherished memories which it can bring back to life, if only briefly, before the darkness comes.

How Mozart Became a Bad Composer, by Glenn Gould

Posted in Music with tags , , on October 26, 2020 by telescoper

I’m not sure how many readers will agree with Glenn Gould’s analysis of Mozart’s piano compositions, especially his later ones, but I think it’s well worth watching and listening to, not least because the presenter is obviously relishing the opportunity to say what he really thinks in the full knowledge that in the process he is winding up a great many of his audience! It’s also interesting how he delivers his pieces to camera: it doesn’t look like he’s using an autocue but he’s a very precise and coherent speaker.

Culture Night 2020

Posted in Biographical, Covid-19, Education, Maynooth, Music on September 19, 2020 by telescoper

Yesterday evening was Culture Night 2020. I’m afraid the only event I was able to enjoy was the concert from the National Concert Hall by the RTÉ National Symphony Orchestra under the direction of Gavin Maloney that consisted of:

Bartok: Romanian Folk Dances, BB 76

Mozart: Clarinet Concerto K.622 in A Major
John Finucane (clarinet)

Mendelssohn: Symphony No.4 Op.90 in A Major (Italian)

Here is the concert as it appeared on the live stream.

The bright and breezy Italian Symphony by Mendelssohn was a welcome tonic at the end of yet another exhausting and stressful week.

On Culture Night last year I was actually in the National Concert Hall after spending a very enjoyable afternoon wandering around Dublin. Yesterday however it was announced that after a surge in Covid-19 cases in the capital additional restrictions would be imposed there. What a difference a year makes! On Culture Night 2019 nobody had even heard of Covid-19.

Because many of our students come from the West Dublin area it has been decided to ‘escalate protective measures‘ at Maynooth University. This means, among other things, that the maximum class size for in-person lectures is 30. That means we have to revise our teaching plans yet again with just a week to go before the students arrive on campus, though I think for Theoretical Physics it really only changes the second-year modules. That is unless there are further restrictions, which is not unlikely.

Another exhausting and stressful week beckons!

A Semester of Covid-19

Posted in Biographical, Covid-19, Education, Maynooth, Music with tags , , , , , , , on September 12, 2020 by telescoper

It’s the Twelfth of September so it’s now precisely six months to the day since schools and colleges in Ireland were closed because of the Covid-19 pandemic. The initial announcement on 12th March was that the closure would be until 29th March. Little did we know then that six months later campus would still be closed to students.

Here is how the pandemic has progressed in Ireland since March:

On 12th March, 70 new cases of Covid-19 were announced in Ireland; yesterday there were 211. The current 7-day average in Ireland is over 180 new cases per day and is climbing steadily. Things are similar, if not worse, elsewhere in Europe. as countries struggle to contain the pandemic while simultaneously attempting to reopen their economies. We are heading towards a very difficult autumn, with a large second peak of infection definitely on the cards. Who knows how this will turn out?

The word ‘semester’ is derived from the Latin for ‘six months’ but the term now applies almost exclusively to half a university teaching year, usually more like four months.

I’m looking ahead to the next teaching semester at Maynooth University, which starts in two weeks. The last time I gave a face-to-face lecture was on the morning of March 12th (a Thursday). Going home that evening I was engulfed by morbid thoughts and wondered if I would ever see the students again. Now we’re making plans for their return to (limited) on-campus teaching. Outline teaching plans have now been published, so returning students will have an idea how things will go. These will be refined as we get a better idea of student numbers. Given the continued increase in Covid-19 cases there is a significant chance of another campus closure at some point which will necessitate going online again but, at least to begin with, our students in Theoretical Physics will be getting 50% or more of the in-person teaching they would have got in a normal year.

Yesterday third-level institutions made their first round of CAO offers. Maynooth’s can be found here. Our offer for MH206 Theoretical Physics & Mathematics is, like many courses around the country, up a bit at 510 points reflecting the increase in high grades in this year’s Leaving Certificate.

We won’t know the final numbers for at another week or more but based on the traffic on Twitter yesterday Maynooth in general seems to be very popular:

Outline teaching plans are available for new students but these will not be finalised until Orientation Week is over and students have registered for their modules, which will not be until Thursday 24th September, just a few days before teaching starts. The weekend of 26th/27th looks like being a very busy one!

Returning to the original theme of the post I have to admit that I haven’t set foot outside Maynooth once in the last six months. I haven’t minded that too much, actually, but one thing I have missed is my weekly trip to the National Concert Hall in Dublin. Last night saw the start of a new season of concerts by the RTE National Symphony Orchestra at the NCH. There is no live audience for these so it’s not the same as being there in person, but watching and listening on the live stream is the next best thing.

Last night’s programme was a very nice one, of music by Mendelssohn Mozart and Beethoven, that not only provided a welcome tonic to the end of a busy week but also provided a great example of how to adapt. I’m glad they’re back and am looking forward to the rest of the season.

R.I.P. Gary Peacock (1935-2020)

Posted in Jazz with tags , , , , , , on September 8, 2020 by telescoper

I heard on Saturday via social media that the great bass player Gary Peacock had passed away on 4th September, only to see other posts claiming that the rumours of his death were a hoax. I was relieved about that but then it turns out that the hoax reports were themselves a hoax and Gary Peacock had indeed died. He was 85 years old.

Gary Peacock is probably best known for his work with the likes of Keith Jarrett, Bill Evans and Jack DeJohnette but as a tribute I thought I would post an example of his earlier work with Albert Ayler. I think the album Spiritual Unity with Gary Peacock on bass and Sonny Murray on drums is one of the highlights of 1960s free jazz.

This tune, the shorter of two versions on Spiritual Unity of an original composition by Albert Ayler called Ghosts, is a great example how he could make coherent what at first hearing sounds like disassociated bursts of sound. It involves remarkable improvised melodies based on short thematic lines designed to evoke unsophisticated  folk music or nursery tunes. It may sound primitive on the surface, but it’s very complex underneath and creating this extraordinary sound world clearly required great technical mastery from Ayler and his supporting musicians, especially Gary Peacock, who plays wonderfully on this track.

Rest in peace, Gary Peacock (1935-2020)