Wagner & Bruckner at the National Concert Hall

I had to brave some very inclement weather on the way to last night’s performance at the National Concert Hall in Dublin for a performance by the RTÉ National Symphony Orchestra, under the direction of Mihhail Gerts (deputising for Natalie Stutzmann who had to withdraw “due to unforeseen circumstances”). The concert consisted of the Prelude to Act I and the Good Friday Music from the Opera Parsifal by Richard Wagner followed by Symphony No. 7 by Anton Bruckner. To my surprise these pieces were performed without a wine break interval.

As was the case a couple of weeks ago for Bruckner 8, a big orchestra was required, including a quartet of Wagnertuben.

While not everyone likes Wagnerian Opera performed in entirety there must be very few people who don’t enjoy the overtures. A programme consisting entirely of Richard Wagner’s Preludes would make for a wonderful concert, and the Prelude to Act I of Parsifal, although very familiar, is so beautiful that it bears repeated listening. Whenever I hear it I can’t help thinking of the poignant last scene of the very last episode of Inspector Morse: `Goodbye Sir’, says Lewis and kisses the dead Morse on the forehead to the accompaniment of this music from Parsifal.

The Good Friday Music occurs at the start of the Third Act of Parsifal so is in a sense also a Prelude. Even out of the context of the Opera, it provides a wonderful opportunity for reflection and contemplation because it is so subtle and understated, somewhat uncharacteristically for Wagner.

These two pieces last about half an hour, and normally one would expect an interval after them, especially since the Symphony is over an hour in duration. I’m not sure what the reason was for playing the Bruckner straight after the Wagner, but it seems to have been a last minute decision. The printed programme contains the usual `INTERVAL_ 20 minutes’ so I had ordered a drink for the interval; nobody had told the bar staff there wouldn’t be one. I got my money back, though.

One positive aspect of the lack of a pause was that it made the connection between Bruckner’s composition and Wagner even more obvious. The radiant first movement of Bruckner’s Seventh Symphony, with its noble melody soaring over shimmering violin tremolos is very reminiscent of Wagner, as is much of the rest of the Symphony (including the orchestration). Bruckner famously idolized Wagner and this composition is at least partly a tribute to his musical hero. It is said that Bruckner had a premonition of Wagner’s death in 1883 and the cymbal crash during the second (slow) movement symbolizes the moment that he found out that his premonition had come true. That whole movement (marked Sehr feierlich und sehr langsam; very solemn and very slow) is very moving: sombre though not excessively mournful. The third movement Scherzo is marked Sehr Schnell (very fast) but I found the tempo last night rather restrained. I was expecting something a bit wilder. The last movement actually sounded to me more like Mahler than Wagner.

The Seventh is probably Bruckner’s best known and most performed Symphony. It was certainly a big hit for him when it was first performed in 1884. I enjoyed last night’s performance. Usually videos of these concerts are put on the Lyric FM Youtube channel shortly after the performance, but when I looked just now last night’s wasn’t there yet. I’ll put a link up as soon as it appears.

UPDATE: Here, as promised, is the recording:

 

The picture above was taken a while before the performance and, although quite a few more people came in before it started, there were still quite a few empty seats. The National Concert Hall posted a (small) financial loss last year. I do the best I can to support it by attending as frequently as I can, but I am always saddened a bit to see so many empty seats. Anyway, I shall be back there this evening for a special event which is part of the Beethoven 250 celebrations, so watch this space!

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Bruckner: Symphony No. 8

Last night I once again found myself settling into a seat at the National Concert Hall in Dublin for a performance by the RTÉ National Symphony Orchestra, this time under the direction of Mihhail Gerts. There was only one item on the menu – the Symphony No. 8 by Anton Bruckner – but what a feast it turned out to be!

Bruckner had a habit of making multiple revisions to his scores, and the Eighth Symphony is no exception to this. There are two major versions (usually referred to as the 1887 and 1890 versions) but also numerous edited variations of these two. For the record last night we heard the edition made by Robert Haas, based mainly on the 1890 version, but replacing some pieces which had been edited out of the 1887, perhaps most notably a quiet passage in the Third (Adagio) Movement.

This is a colossal work, lasting about 90 minutes in performance and requiring a huge orchestra so the stage was very crowded when the concert got under way.

As well as larger than usual string sections, the brass section comprises no less than eight horns, three trumpets, three trombones and a tuba as well as a quartet of Wagnertuben which you don’t often see in a symphony orchestra. These instruments have a sound somewhere between that of the horns and the trombones and they add an immense solidity to the section that produces a wall of sound that has an extraordinary effect when heard live, especially during the fortissimo passages (of which there are several in this work).

Woodwinds include a bass clarinet and a contrabassoon alongside the more usual clarinets and flutes, and there are three harps and percussion. A special mention must be made of the timpanist (Grahame King) who was given a huge amount to do, and did it all exceptionally well.

The work is structured in four movements, each of which involves a shift from minor to major (the piece opens in C minor) but each covers a very varied musical landscape. The overall atmosphere of the work varies too. At times it is tranquil (or perhaps merely resigned) but it often evokes a sense of conflict and sometimes even terror. It does, however, end in a glorious crescendo that gives a sense of triumph. Along the way there is some truly memorable passages: a gorgeous dialogue between flutes and clarinets in the 2nd Movement (Scherzo) comes to mind, and the Adagio as a whole is just magnificent.

I have never heard this work performed live, and have to admit I got completely lost in the performance. Despite the length of the concert, I never looked at my watch once during the whole thing. Congratulations to Mihhail Gerts and the entire orchestra for taking us on such an epic journey. I enjoyed every second of it, and so I think did the rest of the audience, because the end was greeted with a standing ovation.

But you don’t need to rely on my opinion. You can’t beat live music, but the entire concert is here for you to enjoy as live on the Lyric FM stream. Enjoy!

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The Winter Solstice 2019

The winter solstice in the Northern hemisphere happens tomorrow, Sunday 22nd December 2019, at 04.19 Irish Time (04.19 UTC). Among other things, this means that tomorrow is the shortest day of the year in the Northern hemisphere. Days will get steadily longer from now until the Summer Solstice next June.  In fact, the interval between sunrise and sunset tomorrow will be a whole second longer tomorrow than it is today. Yippee!

This does not mean that sunrise will happen earlier tomorrow than it did this morning, however. Actually, sunrise will carry on getting later until the new year. This is because there is a difference between mean solar time (measured by clocks) and apparent solar time (defined by the position of the Sun in the sky), so that a solar day does not always last exactly 24 hours. A description of apparent and mean time was given by Nevil Maskelyne in the Nautical Almanac for 1767:

Apparent Time is that deduced immediately from the Sun, whether from the Observation of his passing the Meridian, or from his observed Rising or Setting. This Time is different from that shewn by Clocks and Watches well regulated at Land, which is called equated or mean Time.

The discrepancy between mean time and apparent time arises because of the Earth’s axial tilt and the fact that it travels around the Sun in an elliptical orbit in which its orbital speed varies with time of year (being faster at perihelion than at aphelion).

In fact if you plot the position of the Sun in the sky at a fixed time each day from a fixed location on the Earth you get a thing called an analemma, which is a sort of figure-of-eight shape whose shape depends on the observer’s latitude. Here’s a photographic version taken in Edmonton, with photographs of the Sun’s position taken from the same position at the same time on different days over the course of a year:

The winter solstice is the lowermost point on this curve and the summer solstice is at the top. The north–south component of the analemma is the Sun’s declination, and the east–west component is the so-called equation of time which quantifies the difference between mean solar time and apparent solar time. This curve can be used to calculate the earliest and/or latest sunrise and/or sunset.

Using a more rapid calculational tool (Google), I found a table of the local mean times of sunrise and sunset for Dublin around the 2019 winter solstice. This shows that tomorrow is indeed the shortest day (with a time between sunrise and sunset of 7 hours 29 minutes and 58 seconds).  The table also shows that sunset already started occurring later in the day before the winter solstice, and sunrise will continue to happen later for a few days after the solstice, notwithstanding the fact that the interval between sunrise and sunset gets longer from today onwards.

I hope this clarifies the situation.

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Arrival of Storm Atiyah

I was a bit alarmed when I saw this weather forecast map on Friday. At first I thought it meant that Ireland was about to be swallowed by a black hole but when I realised it was Storm Atiyah I had the lesser but still significant concern that my flight home from Cardiff would be disrupted.

As it happened the flight was on time, though the blustery winds at Dublin Airport ahead of the storm made for a more than slightly bumpy landing.

I was in one of these:

It’s a Bombardier Dash-8 Q400 operated by FlyBe. I had a window seat on the right hand side so had a good view as we bobbled around on the way in to land. The wings being above the level of the cabin and my seat being next to the starboard engine I could see the right undercarriage come down as we approached. We weren’t quite level when we reached the runway though and I felt and heard the left set of wheels touch down while the ones on the right I could see were still in the air. I could also see weren’t moving exactly parallel to the runway but slightly crosswise. We travelled for quite a few seconds on one set of wheels before we had both feet on the ground, so to speak. During that time I thought we might go off the side of the runway. When the right set of wheels did touch down, however, causing a big splash of water, only a slight correction was needed to point us in the right direction and all was well.

Pilots are if course trained to cope with windy conditions and I’m sure everything was always under control but I bet pilots do have to concentrate hard on such occasions.

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Happy Birthday, Quaternions!

Sir William Rowan Hamilton (1805-1865)

Today, October 16th, is Hamilton day! It was on this day 176 years ago, in 1843, that  William Rowan Hamilton first wrote down the fundamental result of quaternions. Apparently he was walking from his residence at Dunsink Observatory into Dublin when he had a sudden flash of inspiration  and wrote the result down on the spot, now marked by a plaque:

 

Picture Credit: Brian Dolan

This episode  is commemorated by an annual Hamilton Walk. Sadly,  Broombridge (Droichead Broome) is near the bridge (Broom Bridge) where Hamilton had his Eureka moment and it is on the main commuter line from Maynooth into Dublin. This is ironic because Quaternion algebra does not commute. (Geddit?)

Although it is quite easy to reach Broombridge from Maynooth, I sadly can’t attend the walk this year because I’m teaching this afternoon.

P.S. Maynooth is also home to the Hamilton Institute which promotes and facilitates research links between mathematics and other fields.

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The Summer Solstice 2019

The Summer Solstice in the Northern hemisphere happens today, Friday 21st June 2019, at 16.54 Irish Time (15.54 UTC). Among other things, this means that today is the longest day of the year. Days will get shorter from now until the Winter Solstice in December. Saturday June 22nd will be two seconds shorter than today!

This does not mean that sunset will necessarily happen earlier tomorrow than it does today however.  This is because there is a difference between mean solar time (measured by clocks) and apparent solar time (defined by the position of the Sun in the sky), so that a solar day does not always last exactly 24 hours. A description of apparent and mean time was given by Nevil Maskelyne in the Nautical Almanac for 1767:

Apparent Time is that deduced immediately from the Sun, whether from the Observation of his passing the Meridian, or from his observed Rising or Setting. This Time is different from that shewn by Clocks and Watches well regulated at Land, which is called equated or mean Time.

The discrepancy between mean time and apparent time arises because of the Earth’s axial tilt and the fact that it travels around the Sun in an elliptical orbit in which its orbital speed varies with time of year (being faster at perihelion than at aphelion).

Using a rapid calculational tool (Google), I found a table of the local mean times of sunrise and sunset for Dublin around the 2019 summer solstice. This shows that today is indeed the longest day (with a time between sunrise and sunset of 17 hours and 10 seconds), but sunset on 22nd June is actually a bit later than this evening, while sunrise is a bit later.

In fact if you plot the position of the Sun in the sky at a fixed time each day from a fixed location on the Earth you get a thing called an analemma, which is a sort of figure-of-eight curve whose shape depends on the observer’s latitude. Here’s a photographic version taken in Edmonton, with photographs of the Sun’s position taken from the same position at the same time on different days over the course of a year:

The summer solstice is the uppermost point on this curve and the winter solstice is at the bottom. The north–south component of the analemma is the Sun’s declination, and the east–west component is the so-called equation of time which quantifies the difference between mean solar time and apparent solar time. This curve can be used to calculate the earliest and/or latest sunrise and/or sunset.

 

 

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The End of the Common Travel Area?

I’m back in Cardiff for a couple of days after flying from Dublin this morning.

When my flight arrived at Cardiff Airport there was yet again a full passport and immigration check on all passengers.

There is supposed to be a Common Travel Area including the UK and Ireland (as well as the Channel Islands and the Isle of Man), and passport checks are not supposed to be made routinely at borders within the CTA.

I have noticed passport checks happening at Cardiff Airport before (e.g. here and here) but I’ve previously imagined there was some specific reason for them. Passport checks have, however, been carried out every time I have arrived in Cardiff recently and it is now abundantly clear that there has been a material change of policy.

When I got to the desk and handed over my passport I asked the Officer whether these checks were being imposed all the time now. She said yes: there are now full passport and immigration checks on all flights to Cardiff from Dublin.

This is from the UK Government’s website:

Well, if they check all passengers on all flights then that sounds like ‘routine’ to me. In other words the British authorities are violating the Common Travel Area agreement just weeks after undertaking to uphold it.

Did someone say ‘Perfidious Albion’?

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