Archive for Johnny Dodds

Melancholy – Johnny Dodds

Posted in Jazz with tags , , , , , on April 20, 2018 by telescoper

Well, it’s fine and sunny today and if the weather doesn’t put a spring in your step, hopefully this will. It’s a lovely old tune and something of a jazz standard called Melancholy, but this is very probably the least melancholy version of it you’ll ever hear. On top of that it’s quite an interesting piece of jazz history, as it features legendary clarinet player Johnny Dodds (who played in King Oliver’s Creole Jazz Band and later in the Hot Fives and Hot Sevens with Louis Armstrong in the 1920s) as did pianist Lil Hardin, but the rest of the band is from a younger generation, especially Charlie Shavers on trumpet and Teddy Bunn (a much underrated guitarist). The rhythm section has a define taste of the Swing Era rather than New Orleans, but the main thing about this is how well the different styles blend together. Enjoy!


Wild Man Blues

Posted in Jazz with tags , , on February 16, 2018 by telescoper

Time, I think, for some vintage jazz. This one doesn’t really need many words of introduction. It was recorded on May 7th 1927 in the Okeh Studios in Chicago by Louis Armstrong and his Hot Seven: Louis Armstrong (cornet), John Thomas (trombone), Johnny Dodds (clarinet), Lil Armstrong (piano), Johnny St. Cyr (banjo), Pete Briggs (tuba), and Warren `Baby’ Dodds (drums). Two things are worth saying, though. One is that this piece is very modern-sounding for its time, in that there’s very little of the ensemble work that one associates with New Orleans jazz, just two extended solos by Louis and Johnny Dodds, and that those solos are both very free. The other is that Armstrong’s solo is so good that there were only a few soloists who could have taken over from him without creating an anti-climax. Fortunately, one of those men (Johnny Dodds) was in the studio and did just that, matching Satchmo in power and invention. Enjoy!

Jazz and Quantum Entanglement

Posted in Jazz, The Universe and Stuff with tags , , , , , on May 28, 2015 by telescoper

As regular readers of this blog (Sid and Doris Bonkers) will know, among the various things I write about apart from The Universe and Stuff is my love of Jazz. I don’t often get the chance to combine music with physics in a post so I’m indebted to George Ellis for drawing my attention to this fascinating little video showing a visualisation of the effects of quantum entanglement:

The experiment shown involves pairs of entangled photons. Here is an excerpt from the blurb on Youtube:

The video shows images of single photon patterns, recorded with a triggered intensified CCD camera, where the influence of a measurement of one photon on its entangled partner photon is imaged in real time. In our experiment the immediate change of the monitored mode pattern is a result of the polarization measurement on the distant partner photon.

You can find out more by clicking through to the Youtube page.

While most of my colleagues were completely absorbed by the pictures, I was fascinated by the choice of musical accompaniment. It is in fact Blue Piano Stomp, a wonderful example of classic Jazz from the 1920s featuring the great Johnny Dodds on clarinet (who also wrote the tune) and the great Lil Armstrong (née Hardin) on piano, who just happened to be the first wife of a trumpet player by the name of Louis Armstrong.

So at last I’ve found an example of Jazz entangled with Physics!

P.S. We often bemoan the shortage of female physicists, but Jazz is another field in which women are under-represented and insufficiently celebrated. Lil Hardin was a great piano player and deserves to be much more widely appreciated for her contribution to Jazz history.


The Wolverines

Posted in Jazz with tags , , on April 27, 2014 by telescoper

Well, after a busy afternoon trying to get some work done in the office at the same time as worrying about whether there would be serious violence at today’s “March for England” I don’t have the energy to post anything other than a bit of music which I’ve been saving up for an occasion where a small pick-me-up was needed.

This lovely old record was made on June 10, 1927. It was issued by the Victor label with the title Wolverine Blues, by which name it’s been known ever since, but in fact it’s  a tune called The Wolverines which was written way back in 1906 by Jelly Roll Morton, who plays the piano on this track.  Anyway, it starts off as if it’s going to be a solo performance by Jelly Roll Morton on piano but then he’s joined by Johnny Dodds and his brother Warren “Baby” Dodds on clarinet and drums respectively. At first, Jelly Roll Morton just comps along quietly behind Johnny Dodds but he was never one to stay in the background for long and at about 1m 58s he springs into life to joyous effect. Listen out too for the absolutely superb work by drummer Baby Dodds who, despite having the crudest kit imaginable, lays down a carpet of infectious rhythms. Deep joy.



Cornet Chop Suey

Posted in Jazz with tags , , , , , , , on April 11, 2014 by telescoper

Just time for a short lunchtime post in between loads of end-of-term business and travelling up to London for this afternoon’s meeting of the Royal Astronomical Society. I’m a bit tired, to be honest, largely owing to a late night last night at the Sussex University Mathematics Society Ball, but this is an excellent pick-me-up. You can dip into the classic “Hot Five” recordings at any point and come up with something wonderful, but I think this is one of the very best. Recorded in Chicago on February 26, 1926, Cornet Chop Suey was written by Louis Armstrong and features him on trumpet, at the centre of the amazing front line that also included Kid Ory on trombone and Johnny Dodds on clarinet. Johnny St. Cyr plays banjo and on piano is the superb Lil Armstrong (née Hardin), Louis’ first wife, who plays a very fine solo on this track.  Above all, though, it’s a vehicle for Louis Armstrong himself who is on absolutely superlative form, especially in the stop-time choruses from about 1:47 onwards. The ending’s pretty good too…



Sippie Wallace

Posted in Jazz with tags , , , , on August 17, 2013 by telescoper

I’ve been meaning to post this fabulous old record for a while but for some reason never got around to it. Until know. This is the great Sippie Wallace  who sings and plays piano in the company of Johnny Dodds (clarinet), Honore Dutrey (trombone) and Natty Dominique (cornet), on a 78rpm disc made in 1929 for the Victor label.

Sippie Wallace was born Beulah Thomas on 1st November 1896; she died on her 88th birthday in 1986. Between 1926 and 1929 she made around 40 records for the Okeh label in Chicago and may have made this record while she was still under contract with them. That reminds me of the famous story about Louis Armstrong who performed on some records for another label while on a supposedly exclusive contract with Okeh; he was hauled up in front of the manager at the Okeh label and accused of playing on these other tracks.  Of course it was him – his playing was instantly recognizable – but Satchmo is always alleged to have said “It wasn’t me, boss, but I won’t do it again”. ..

As was the case with Bessie Smith, most of Sippie Wallace’s repertoire was a bit on the raunchy side and this is no exception, but, boy, could she sing the blues. This wonderful performance is entitled I’m a Mighty Tight Woman….

Lonesome Waterloo Sunset Blues

Posted in Jazz, Music with tags , , , , on July 27, 2012 by telescoper

Just saw the song Waterloo Sunset by the popular beat combo The Kinks in a list of the ten best songs about London in this week’s New Statesman. I wonder if anyone else has noticed the remarkable resemblance between that tune and the classic Lonesome Blues recorded by Louis Armstrong and the Hot Five in 1926, with the main theme played by legendary clarinettist Johnny Dodds:

I wonder if, by any chance, they might be related?