I’m reminded that Maria Callas (“La Divina”) passed away on this day in 1977, so by way of a tribute here she is singing a famous “Mad Scene” from the Opera I saw at the Wales Millennium Centre last week, I Puritani by Vincenzo Bellini. This is a rare recording of the young Callas, aged only 25, made in 1949. It’s historically important too, because Callas stepped into this production at short notice in Venice that year, having started out on a career as a dramatic soprano singing Wagnerian roles. Critics sneered when they heard that she had been cast as Elivra, but almost overnight she transformed the role and so began her almost single-handed revival of the entire bel canto repertoire.
One critic wrote:
Even the most sceptical had to acknowledge the miracle that Maria Callas accomplished… the flexibility of her limpid, beautifully poised voice, and her splendid high notes. Her interpretation also has a humanity, warmth and expressiveness that one would search for in vain in the fragile, pellucid coldness of other Elviras.
Her she is as Elvira, deranged by the loss of her beloved who has vanished without explanation. It’s as beautiful as it is heartbreaking. It’s not the best sound quality, but the emotional power of her voice shines through. Few singers have even come close to matching Callas in roles like this.
Qui la voce sua soave mi chiamava…e poi sparì.
Qui giurava esser fedele, qui il giurava,
E poi crudele, mi fuggì!
Ah, mai più qui assorti insieme nella gioia dei sospir.
Ah, rendetemi la speme, o lasciate, lasciatemi morir.