Archive for Urlicht

Uri Caine’s Mahler

Posted in Music with tags , , , on October 18, 2019 by telescoper

And now for something completely different. I have recently been listening a lot to a fascinating album Urlicht by jazz pianist and bandleader Uri Caine in which he re-imagines the music of Gustav Mahler with a small band to wonderful effect. The music he produces is not only influenced by jazz but full of references to klezmer music and (to my ears at least) redolent of the music of the Weimar era. I confidently predict that many Mahler fans will absolutely hate this, with its pared-down arrangements and roughness around the edges, but I find it very refreshing. Anyway, you can decide for yourself whether you like it or not. This is Uri Caine’s take on the Funeral March from Mahler’s Symphony No. 5:

Der Abschied

Posted in Music with tags , , , , , , on May 18, 2011 by telescoper

A little dickie bird (or, more accurately, quite a large one with impressive plumage) emailed me to point out that today, 18th May 2011, is the 100th anniversary of the death of Gustav Mahler. I couldn’t let the date go unmarked, so thought I’d post something here. I couldn’t decide which of two bits to put up, so decided to go with them both.

Although it’s long (and I don’t really like posting segments of things) it seemed appropriate to offer Der Abschied (“The Farewell”), the last movement from Das Lied von der Erde. I picked this version, featuring the legendary mezzo soprano Christa Ludwig.

Incidentally, Das Lied von der Erde is a symphony and it was written by Mahler after the 8th Symphony. However, it isn’t the 9th Symphony, which is a different work, or indeed the 10th which was unfinished at Mahler’s death and which I heard here in Cardiff recently.

If you haven’t got time to listen to all of that one, try this remarkable recording instead. It’s Urlicht, one of the songs from Das Knaben Wunderhorn which appears in Mahler’s 2nd Symphony (“The Resurrection”), sung by the late Maureen Forrester (contralto) and conducted by none other than a (very young) Glenn Gould.

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