Archive for Wayne Shorter

My Funny Valentines

Posted in Jazz with tags , , , , , , , , on February 14, 2012 by telescoper

I’m not really into all this St Valentine’s Day nonsense (meaning: “I never get any cards”), but at least it provides me with an excuse to post three versions of the great Rogers & Hart ballad  My Funny Valentine.

The first is by the great Miles Davis Quintet featuring Miles Davis on trumpet, Wayne Shorter on tenor sax, Herbie Hancock on piano, Ron Carter bass and Tony Williams on drums. This was recorded live in Milan on October 11th 1964. There’s a slight distortion in the sound in the form of a pre-echo, which is a bit eery, but I still think it’s a marvellous performance.

And if Miles Davis isn’t your cup of tea, here is something completely different. It’s by Julie London, but very late in her career in 1981 when she was 55. Her voice was much smoother in her heyday in the 1960s, but I love the smokey sound of this very characterful rendition. By ear I’d say the bass player on this is Ray Brown and the guitar is Barney Kessel, both of whom (like Julie London herself) are no longer with us.

Last one up is a miracle of joint improvisation between the great Bill Evans on piano and Jim Hall on guitar, the sort of music that mere mortals can only dream of…


A Kind of Brew

Posted in Jazz with tags , , , , , on August 27, 2011 by telescoper

Well here’s a find for fan’s of Miles Davis. I stumbled across this exceedingly rare clip of his 1969 band playing at Ronnie Scott’s Club in London, complete with an introduction by Ronnie Scott himself. It’s  rare, firstly, because Miles didn’t do many club gigs at this time (or after) and I have a feeling that this might be one of his last; he usually played big concert venues whenever he toured in later years. But an even rarer thing about it is that this is the legendary “Lost Quintet” of Miles (on trumpet, of course), Wayne Shorter on saxophone(s), Chick Corea (keyboards), Jack de Johnette on drums and Dave Holland on bass.

Filmed in November 1969, this performance took place just a few months after the recording sessions that give rise to the celebrated but controversial album Bitches Brew, which was released in April 1970. The band at Ronnie Scotts was a subset of the larger ensemble that made the album, but you can hear the similarity in musical style, heavily influenced by psychedelic rock…

And here, for completeness, is a fuller version of the title track of the album Bitches Brew, recorded just two days later in the Tivoli Concert Hall in Copenhagen.

Miles was obviously experimenting with a much freer form of improvisation at this time and both the album and this live performance seethe with a kind of wild passion that threatens to burst into anarchy at any moment. It’s not exactly easy listening, of course, and the live performance is inevitably rough around the edges, but I think it’s a fascinating bit of jazz history. And, for what it’s worth, I think Bitches Brew is completely and utterly brilliant..